Skip to main content

Wednesday Writing Tips #5: The Challenge of Blank Space!

Welcome to this series of writing tips. If you would like to pen a guest post for this series, email me at ACBwrites@aol.com.

The challenge of filling the blank space on a screen can feel daunting to some new writers.  They want to write but can't quite get going.  They can write, but don't know where to start.  They've a million ideas but what if it all goes wrong?  So they stare at the screen and wait for inspiration to zap some inspiration into their lives.  Meanwhile, the clock's ticking and nothing is getting written.  The more this hurdle is thought about, the bigger it seems to get.

At Riverside Writers, we set a monthly writing project to give people a starting point.  This can take the form of a title, a location, a first line or a set of objects which need to be included in a story or poem.  We have been doing this for several years now and those who participate regularly have found it a very useful tool to help them get writing.

Examples of these projects have included:-
  • What shall we do with the bicycle?
  • The trunk in Grandma's attic.
  • The park bench.
  • Ballet shoes, tangerine, top hat, monkey mask and a Porsche 911.
  • The pool at midnight.
  • A collection of old letters.
  • Holiday disaster.
  • The anniversary.
  • Pipe organ, zombie, wax crayons, cake tin and pyjamas.
If you wish, you could try writing flash fiction stories for each of these, keeping your efforts under 500 words for brevity.  This purpose of this is to prove to yourself that it's possible to pull a story out of pretty much anything if you adopt the right mind-set.

None of the members of Riverside Writers have ever produced identical stories or poems, despite having the same starting point.  Not once, in all the years we've been doing this, has this happened.  The project helps people to think outside of their habitual themes, and the simple fact that they're writing regularly means that over time their work improves.  Also, each participant develops a body of work which they may otherwise not have thought of.

If you'd like to join in with Riverside Writers monthly projects, you can follow their blog here.

Comments

Popular posts from this blog

A Cure for Aging?

"All that we profess to do is but this, - to find out the secrets of the human frame; to know why the parts ossify and the blood stagnates, and to apply continual preventatives to the effort of time.  This is not magic; it is the art of medicine rightly understood.  In our order we hold most noble -, first, that knowledge which elevates the intellect; secondly, that which preserves the body.  But the mere art (extracted from the juices and simples) which recruits the animal vigour and arrests the progress of decay, or that more noble secret which I will only hint to thee at present, by which heat or calorific, as ye call it, being, as Heraclitus wisely taught, the primordial principle of life, can be made its perpectual renovator...." Zanoni, book IV, chapter II, by Edward Bulwer-Lytton, first published in 1842. Oroboros keyring - Spooky Cute Designs The idea of being able to achieve an immortal life is probably as old as human life itself.  Folklore and mythology ab

Remembering Richie Tattoo Artist's Studio

Richard in the street entrance to his tattoo studio in Liverpool. The vertical sign next to Richard is now in the Liverpool Tattoo Museum. Yesterday, my sister Evelyn, Richard and myself stood outside Richard's old tattoo studio and looked up at the few remaining signs, whose paint has now mostly flacked away to reveal bare wood. On the studio's window are stick-on letters which read, "Art", where once it boldly announced his presence as the city's only "Tattoo Artist".  I can remember him buying that simple plastic lettering from an old-fashioned printer's shop. This was in 1993, not long after he'd opened the studio and before he could afford better signs. After he'd patiently stuck them onto the glass we realised that from the outside the sign read "Artist Tattoo", so we had to carefully peel the letters off the window and have another go, laughing over having made such an obvious error yet worried in case we spoiled the letteri

Ancient Rock Carving in Stapledon Woods, Wirral.

Richard on top of the rock, to give an idea of its size.  This strange carving can be found on the Caldy side of Stapledon Woods, facing farm fields which are separated from the wood by a low sandstone wall with a castellated top.  In summer, the rock face is hidden from casual view by trees covering the slope which leads up to it from the path running alongside the sandstone wall. Has anyone got any information about this carving - what it is, its age and purpose?  I've been given several theories; one that it was made for shelter, (which seems dubious as it wouldn't work very well); or that it was somekind of ancient relinquary relating to pre-Xtian religious beliefs.  Any further ideas or documented evidence would be most welcome.